Twin Peaks Fire Walk with Me (1992) 720p YIFY Movie

Twin Peaks Fire Walk with Me (1992)

A young FBI agent disappears while investigating a murder miles from Twin Peaks that may be related to the future murder of Laura Palmer; the last week of the life of Laura Palmer is chronicled.

IMDB: 7.211 Likes

  • Genre: Fantasy | Mystery
  • Quality: 720p
  • Size: 750.83M
  • Resolution: 1280*720 / 23.976fps
  • Language: English
  • Run Time: 91
  • IMDB Rating: 7.2/10 
  • MPR: R
  • Peers/Seeds: 2 / 15

The Synopsis for Twin Peaks Fire Walk with Me (1992) 720p

Essentially a prequel to David Lynch and Mark Frost's earlier TV series "Twin Peaks". The first half-hour or so concerns the investigation by FBI Agent Chet Desmond (Chris Isaak) and his partner Sam Stanley (Kiefer Sutherland) into the murder of night-shift waitress Teresa Banks in the small Washington state town of Deer Meadow. When Desmond finds a mysterious clue to the murder, he inexplicably disappears. The film then cuts to one year later in the nearby town of Twin Peaks and follows the events during the last week in the life of Laura Palmer (Sheryl Lee) a troubled teenage girl with two boyfriends; the hot-tempered rebel Bobby Briggs (Dana Ashbrook) and quiet biker James Hurley (James Marshall), her drug addiction, and her relationship with her difficult (and possible schizophrenic) father Leland (Ray Wise), a story in which her violent murder was later to motivate much of the TV series. Contains a considerable amount of sex, drugs, violence, very loud music and inexplicable imagery.


The Director and Players for Twin Peaks Fire Walk with Me (1992) 720p

[Director]David Lynch
[Role:Bobby Briggs]Dana Ashbrook
[Role:Shelly Johnson]Madchen Amick
[Role:Laura Palmer]Sheryl Lee
[Role:Leland Palmer]Ray Wise


The Reviews for Twin Peaks Fire Walk with Me (1992) 720p


Highly underrated film by brilliant visionary LynchReviewed bypooch-8Vote: 5/10

Since the first line of TP:FWWM is "Get me Agent Chester Desmond in Fargo, North Dakota," some might argue that I am biased in my praise for one of Lynch's most underrated motion pictures. The truth is, my life has never been the same since the fateful midnight in high school when I experienced Eraserhead for the first time. TP:FWWM was savaged by most critics, who are unlikely ever to laud the unconventional Lynch again (unless he makes another film that connects like Blue Velvet). Few other filmmakers have had the ability to depict so tangibly the intangibility of our dreams and the worlds contained therein. Couple this with Lynch's corner on the "uncanny" market, and you have TP:FWWM, a film impossible to confuse with any other. My only complaint concerns the absence of Ben and Audrey Horne, who were such interesting and engaging characters on the television series.

Severely under-rated prequel to one of the best TV series everReviewed bymstomasoVote: 10/10

By the time this film was released, critics and TV audiences had already decided its decidedly mediocre box-office fate. The usual network attitude toward anything which demands thought and interpretation assured the cancellation of the series in its second season, and Lynch's departure from the show's director's chair to begin this film project all but sealed the fate of the show. Unfortunately, this same fate determined both the critical and public approach to the film project. TP:FWWM is a prequel to the two-season Twin Peaks saga, and (sort of) answers the question 'how and why did Laura Palmer die?'. Fans of the show mostly knew the answers before they saw this film, but to see Laura's life so vividly realized, and to see the TV characters cast into such a different, more harsh, surreal and disturbing light, really invigorates the entire TP phenomenon. FWWM actually inspired me to watch the entire series again (and as of 2004, I am in the process of watching it again). Fans of the series who found themselves disappointed by the final few episodes of the series because they felt it became too bizarre, are likely to find this film more gripping, though they will probably end up as unsatisfied as they were at the onset. Those who found the second season thrillingly experimental are likely to be surprised by the subtlety of and dramatic quality of this film. Those, like me, who approach the film with few tangible expectations might just find themselves, compelled, disturbed, and very entertained. The performances are generally very good, but not entirely even. Some TV cast-members, given the vastly expanded possibilities of cinema, really showed their range and depth. Sheryl Lee, MacLachlan, Dana Ashbrook, and Ray Wise were especially impressive. The cinematography is less powerful than the usual Lynchian vision (see Eraserhead, Lost Highway for extreme examples), and is more in keeping with the TV show's straightforward, but moody, photographic approach. The overall production values are, in fact, comparable to those of Mulholland Drive - also originally planned by Lynch as a TV show. Though more subtle than many of Lynch's more extravagant works, TP:FWWM is very successfully manipulative and powerful. I ardently appreciate Lynch, considering him one of cinema and performance's greatest contemporary artists. And I am unashamed to state that I believe this to be among his finest works. Many of Lynch's fans love to write interpretations of Lynch himself, as if all of his films are in some way connected beyond the obvious fact that he directed (and more often than not scripted) them. I do not disagree with this approach, but, in my opinion, any such universalizing comments more or less miss the point. Lynch is one of many director's who view film as an art form, not as a craft, nor as a vehicle for specific messages and stories. As Lynch has stated, repeatedly, his films involve a dream-like reality and often attempt to invoke a dream or nightmare state in viewers. Unlike most, however, Lynch succeeds in the purity of his art. His films demand interpretation, engagement and, what's more, demand a different and unique interpretation by most who view them. If you are looking for something which can be universally interpreted from TP:FWWM as part of this imagined set of Lynchian themes, I am not the reviewer to give it, look elsewhere. I have too much respect for Lynch's artistry to subject him to my own interpretive explanations. If you are looking for a simple story which will clear up the insanity of Twin Peaks, don't bother with FWWM. If you are looking, open-mindedly, for an intense, disturbing, and well constructed cinematic experience which creates more questions than it answers, and retains elements of mystery in a fatalistically driven plot environment, you've come to the right place.

Pure LynchReviewed byhaapaqVote: 10/10

I just watched this movie again for about the 13th time, and it just keeps getting better and better. This movie is amazing! I had the chance of following the series from the pilot to the final episode in a span of three weeks. I then watched the movie for the first time right after. Let me start by saying everything that happens in Twin Peaks from the series to the movie all makes perfect sense. This is something which needs to be viewed carefully, and thought about very clearly. I'm not going to tell you what I think it's all about but I'm pretty damn sure I know, and I know well enough to say this makes perfect sense. I will also say if you have not seen the television show Twin Peaks (season 1&2) don't even bother with this movie. I am truly tired of hearing people complain about this movie because of their lack of understanding. If you have not seen the show, you will not understand this movie.. So go out and watch the show and then think about watching this FANTASTIC movie.

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