Nothing is more arrogant than a film that assumes it's going to be a hit before it even goes into production. Such a disaster is this musical remake of "The Producers." Stagebound, presentational instead of reactive, and more leaden than an Iron Cross, it betrays everything about the 1968 classic -- not to mention raising questions how anything this klunky could ever work, must less be a hit, on the Broadway stage. Reportedly, Mel Brooks was distracted during filming by his wife's illness and death, and that director Susan Stroman didn't have the clout to override his in absentia presence. Never mind that the new third act ending betrays the first two. Never mind that Lane and Broderick never develop the father-son relationship that Zero Mostel and Gene Wilder did, and which drove the story. Never mind that the musical numbers are not only forgettable, but extraneous. Never mind that the 11 o'clock number is over by 10:59. Never mind that Nathan Lane is made up to look like a Hirschfeld drawing. Never mind that Matthew Broderick is a human marshmallow. Mever mind that Uma Thurman sucks the energy out of movies that she's not even in. Never mind that -- oh, never mind. Like a dumb horror movie where the girl heads up to the attic and you know the monster's there waiting for her but she goes up anyway, "The Producers" is its own train wreck, devoid of any sense of self-awareness, let alone the major one: that it needs an audience.
The Producers (2005) 720p YIFY Movie
The Producers (2005)
The Producers is a movie starring Nathan Lane, Matthew Broderick, and Uma Thurman. After putting together another Broadway flop, down-on-his-luck Producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick...
IMDB: 6.40 Likes
The Synopsis for The Producers (2005) 720p
New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there's no accounting for taste...
The Director and Players for The Producers (2005) 720p
The Reviews for The Producers (2005) 720p
Total disaster on toastReviewed bynataloff-1Vote: 1/10
The Producers (2005) **** Nathan Lane, Matthew Broderick, Uma Thurman, Will Farrell, Gary Beach, Roger Bart Dir. Susan Stroman
I don't think the critics know what they are talking about. This movie rocked! It took me back to the old days of movie musicals. You know, the Bugsby Berkley years, big and flashy with hum able songs. Based on the 1968 film starring Zero Maestel and Gene Wilder, and the smash hit on Broadway, the story of a failing Producer named Max Bialystock who has just had the worst show in town close called Funny Boy, a musical version of Hamlet. Distraught he runs into accountant Leo Bloom who comes up with the notion that you can make more money with a flop than with a hit. Max overjoyed to hear such wonderful news lays it all out. Step 1. They find the worst play ever written, the "mother lode" as Max calls it when he comes across Springtime for Hitler, written by neo-nazi Franz Liebkind. Step 2. Hire the worst director, a prime and proper gay man named Roger Debris who wants to keep everything gay! Step 3. Raise 2 million dollars from Max's backers: harmless little old ladies looking for a last roll in the hay. Step 4 Open on Broadway and before you can say step 5 they close and run off to Rio. All goes well until Springtime for Hitler becomes a success leaving Leo and Max in the dust.
People have been comparing it to the original, which sure it has some of the same lines, and the story is the same, but both shows have something different to offer. You get songs in this version that you don't get in the original. Nathan Lane tears up the screen and will have you in stitches as Max; his show stopping number "Betrayed" will have you applauding. Matthew Broderick is also very good as Leo who can't grab life by the balls and go. He sings "I Wanna Be A Producer" with such gusto and dances with Ms. Uma Thurman, who is amazing as Ulla, and their dance number has sheds of the old Astaire and Rogers's musicals of the 30s.
Also excellent, are Will Farrell as the Nazi who speaks to his birds and Gary Beach and Roger Bart as Roger De Bris and Carmen Ghia they gay "couple" who want to put Springtime for Hitler on the stage, both stand out in the cast, and both played the roles on Broadway. Other familiar faces you will see are Jon Lovitz as Leo's accounting firms boss, Michael McKean as one of the prisoners and Richard Kind as the Jury Foreman who took over in the Nathan Lane role on the stage.
Susan Stroman doesn't make the camera cuts flashy, they are simple, which makes it more enjoyable to watch the dance numbers, from the opening number to the hilarious "Along Came Bialy" when the old ladies do a dance break with walkers, to "Keep it Gay" to the uproarious Springtime for Hitler number. The best-staged number was probably "I Wanna Be A Producer" as it has shades from the 30s mixed with modern day. It was wonderful! If you listen to some critics who choose to say "this film show inexperience" or "not as good as the original" you are missing a terrific movie musical that is just as good as Chicago! Plus Mel Brooks was also standing there at the helm with Ms. Stroman. Be advised to stay until the very end of the credits to view something special! Bravo!
After reading critics' reviews I thought twice about seeing this film. But I needn't have worried as this was fantastic entertainment. I don't seem to care that the director has kept the stagy sets and took a literal approach to adapting a stage musical for the big screen. It was a fun time from beginning to end.
While his portrayal of Leo Bloom was too much like Gene Wilder's, Matthew Broderick was simply divine when dancing. Indeed it was an interesting to see the top half of his body so still and rigid while his legs and feet were moving with such poise and grace. Nathan Lane never seems to disappoint, he is simply brilliant. His physical resemblance to Zero Mostel is obvious but the mannerisms are all his own. Uma Thurman is good as Ula and Will Ferrell rediscovers his funny.
I didn't even mind the over-the-stop stereotypes. Gary Beach and Roger Bart are screamingly funny. Springtime for Hitler is the best part of the show and nice to see John Barrowman giving it his all as the blond Nazi.
If you want to be entertained for a few hours then this is the movie to go see, don't let the critics put you off!