The Hangover (2009) 720p YIFY Movie

The Hangover (2009)

A Las Vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures, then must retrace their steps in order to find him.

IMDB: 7.8238 Likes

  • Genre: Comedy |
  • Quality: 720p
  • Size: 652.12M
  • Resolution: 1280*536 / 23.976fps
  • Language: English
  • Run Time: 100
  • IMDB Rating: 7.8/10 
  • MPR: R
  • Peers/Seeds: 17 / 371

The Synopsis for The Hangover (2009) 720p

Angelenos Doug Billings and Tracy Garner are about to get married. Two days before the wedding, the four men in the wedding party - Doug, Doug's two best buddies Phil Wenneck and Stu Price, and Tracy's brother Alan Garner - hop into Tracy's father's beloved Mercedes convertible for a 24-hour stag party to Las Vegas. Phil, a married high school teacher, has the same maturity level as his students when he's with his pals. Stu, a dentist, is worried about everything, especially what his controlling girlfriend Melissa thinks. Because she disapproves of traditional male bonding rituals, Stu has to lie to her about the stag, he telling her that they are going on a wine tasting tour in the Napa Valley. Regardless, he intends on eventually marrying her, against the advice and wishes of his friends. And Alan seems to be unaware of what are considered the social graces of the western world...


The Director and Players for The Hangover (2009) 720p

[Director]Todd Phillips
[Role:Stu]Ed Helms
[Role:Doug]Justin Bartha
[Role:Phil]Bradley Cooper
[Role:Alan]Zach Galifianakis


The Reviews for The Hangover (2009) 720p


Heterosexuals in Sin CityReviewed byagmancusoVote: 7/10

Yes, okay, it's very funny at times down right hilarious. What sets this comedy apart from others of its ilk, is a well structured script and a pace that doesn't allow any form of thinking. The chemistry between the four leads is also a plus. There is a surprising, maybe unconscious, touch of innocence in the midst of this night of debauchery that makes it palatable even charming. Bradley Cooper is coming into his own and I'm absolutely certain that he was born to play Emperor Caligula in a future Ridley Scott flick. The women, as in most films about a bunch of heterosexuals doing childish things, are treated appallingly. They are the enemy that they have to protect themselves from or just escape, run, run as fast and as far as you can. Try to find the hooker with a heart of gold, and if she looks like Heathter Graham, that much better and forget about settling down. "The Hangover" has already become the surprise hit of the summer 2009. I say, well done, it could have been worse

Genuinely funnier than any comedy in recent memoryReviewed byMovieAddict2016Vote: 8/10

Most great comedies are based on fundamental truths -- we find a deal of humour in the illumination of our own human tragedy. Office Space is funny, for example, because we've all worked that type of job, put up with that type of boss, and suffered that type of monotonous everyday boredom.

Todd Phillips' new movie, The Hangover, is as aptly titled as anything else released this year: it's about a Vegas bachelor party gone horribly awry, in which the groom inexplicably disappears, no one can remember a damned thing, and Mike Tyson wants his tiger back.

Yes, we've all had those nights, though perhaps not to such extremes (that's where the exaggeration of comedy serves us). The Hangover is funny because it takes this cultural ritual -- an American tradition; something almost all of us can relate to -- and finds genuine humour in the pain of its aftermath.

I concede that bachelor party movies are not in short supply; the genre (if it is, indeed, a genre) should have probably both begun and ended with the Tom Hanks flick almost three decades ago. But The Hangover wisely studies the day after rather than the day itself; this is funnier because the plot works backwards, without tacky flashbacks, and much of the evening in question is left to our imagination.

While it would be misleading to claim this is a brilliant film (in either regard ? as comedy or character study), it's an assured picture that finds its footing immediately and achieves a surprising level of sustenance throughout its running time. And frankly, let's be honest, this is a breath of fresh air: it's one of the best R-rated comedies of the decade, and certainly the most uproarious since Superbad was released two years ago. Most R-rated comedies produced today are defiant; the R-rating has become a hindrance to film studios' sensibilities ? everything is PG-13, saving the shameless Unrated schpeel for the DVD cut. The occasional theatrically-released R-rated comedy, as such, is infrequently modest; the ads stress the rating to remind us what we've been missing. For every legitimate offer, such as Forgetting Sarah Marshall, we're treated to movies like College that attempt to lure us into theaters based on the promise of raunchy decadence. The problem is that it's all so coldly calculated; these films are not funny because a majority of the time they are simply lazy and dishonest.

The simplest reason for The Hangover's success in being genuinely funny is the fact that it achieves a rare balance of character and vulgarity. We laugh at the characters' misfortunes because we like them, we empathize with them, and they are distinctly actualized. Are they stereotypical? To a certain degree, sure: we have the repressed pussy-whipped guy who obeys his girlfriend's every command (Ed Helms); the weird John Belushi-esquire figure who speaks in non sequiturs and na?ve absurdities (Zach Galifianakis); and the womanizer whose confidence renders him automatic leader of the group (Bradley Cooper). It's a testament to the strengths of these actors that they make their characters endearing and believable, even in the face of total lunacy.

Helms has been an underrated highlight of the American Office for the past several years, never quite earning the praise he deserves. His character on the show is played with pitch-perfect perversity: he's not overtly creepy (like the program's other weirdo, Creed), but rather subtly unnerving. Helms invests a great deal of nuance into what is ostensibly a throwaway, supporting goofball; this movie, if nothing else, will justly reveal his talents.

Cooper uses his looks to his advantage: it's funny to watch handsome people exploit their securities. Cooper essentially turns your typical Leading Man figure into a bumbling idiot, self-absorbed and clueless. It's effective, he's got great chemistry with the other guys, and it's fun to watch such an immoral and ruthless character take center stage in a mainstream comedy.

Galifianakis, a cult comedian who I've admired for years, has been struggling quite a while. Not many people other than myself and Sean Penn saw his 2001 comedy Out Cold, probably because it wasn't all that great; but he was easily the most amusing aspect of the picture. He once described himself as being gifted by the opposite of the Midas touch, with more than a few canceled TV shows to his credit (including Comedy Central's unheralded Dog Bites Man), but it seems his persistence has finally paid off: he has discovered, at last, a movie of strong enough quality to reflect his talents. Galifianakis has a fair share of the film's funniest dialogue; as far as fat funny guys go, many of them (such as Chris Farley) made the ill-fated mistake of playing dumb in a sharp fashion: hurtful quips and silly one-liners, all self-aware. Galifianakis plays his character straight and the laughs are subsequently heartier; when he embraces his brother-in-law while nude, the act seems innocently awkward rather than deliberately awkward, and that's what makes it so funny. He's described in The Hangover, by another character, as a child with a beard. Imagine how funny it is when he names a Caucasian baby Carlos, without any shred of condescension or knowing humour.

The Hangover is surely destined to become the sleeper comedy hit of 2009, and, more likely, a cult flick in the years to come. It's more deserving of such acknowledgment than many recent successes, and while we may live in an era saturated with unnecessary sequels, I actually left The Hangover hoping to see these guys again. And that's a rare feeling these days.

What happens in Vegas does not stay in Vegas unfortunatelyReviewed byServaVote: 1/10

After seeing the movie I was so unimpressed I felt like writing an ironic review praising the fine acting and exquisite plot in this film. However, since it's currently in the IMDb top 250 and number one in the US box office, being a bit more serious seems like a better choice since I think the irony probably would be lost on most people.

The Hangover is about four guys who go to Las Vegas to attend one of the guy's bachelor party. They have a wild night and wake up the next morning not being able to remember a single thing from the previous night. This setup could possibly make for a somewhat entertaining film, however they have failed on this one. Out of the running time I think I laughed about two times. It's a very excruciating thing to watch a film where even one joke falls flat, in this one which is supposed to be a comedy they turn into string combos of jokes that simply aren't funny.

The humor is crude, sexist, violent, and still without going ever going over the line which is a problem. Comedies that go over the line, like Borat for example really is my cup of tea, but The Hangover never really dares to venture there. For example you are supposed to think the fat guy is funny because he is weird and stupid, although he comes off as too pathetic for it to be funny.

The plot never draws you in since one does not feel anything for the main characters, they are all unlikeable in their own unique way. In movies it's important to have a logical thread going through the entire film, and not introduce too many random characters or events that are not motivated, especially not in the later half or so. In The Hangover way too many characters and situations are just randomly inserted which I suppose is meant to be goofy and hilarious, but it just comes off as bad scriptwriting.

Worst of all though, and what really puts me off in The Hangover is the glorified picture of Las Vegas it produces, which unfortunately is very common in the mass media today. Las Vegas appears to be a paradise on Earth, where you come to have fun, win lots of money, and still leave with a smile on your face, no matter what happens. Because, what happens in Vegas, stays in Vegas. Well, let me tell you something: I've been to Las Vegas. Never in my life have I been to a more horrid place. I would never ever want to go there again. To me Las Vegas really embodies all the bad parts of the American culture. Nothing feels real there, it's all about surface and everything has this plastic, artificial feeling to it. Commerce is what it's all about there, spend money or lose it by gambling. None of this matters though, because most of the average joes watching this film will never go there, so film makers can continue to picture Las Vegas in this almost mythological way.

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