The Big Sleep (1946) 1080p YIFY Movie

The Big Sleep (1946) 1080p

The Big Sleep is a movie starring Humphrey Bogart, Lauren Bacall, and John Ridgely. Private detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.

IMDB: 8.06 Likes

  • Genre: Crime | Film-Noir
  • Quality: 1080p
  • Size: 2.17G
  • Resolution: / fps
  • Language: English
  • Run Time: 116
  • IMDB Rating: 8.0/10 
  • MPR: Normal
  • Peers/Seeds: 3 / 4

The Synopsis for The Big Sleep (1946) 1080p

The Big Sleep is the story of private investigator Philip Marlowe, who is hired by a wealthy general to find out and stop his youngest daughter Carmen from being blackmailed about her gambling debts. Almost immediately, Marlowe finds himself deep within a web of love triangles, blackmail, murder, gambling, and organized crime. With the help of the General's eldest daughter Vivian, Marlowe skillfully plots to free the family from this web and trap Eddie, the main man behind much of this mischief, to meet his end at the hands of his own henchmen.

The Director and Players for The Big Sleep (1946) 1080p

[Director]Howard Hawks
[Role:]Lauren Bacall
[Role:]Humphrey Bogart
[Role:]John Ridgely
[Role:]Martha Vickers

The Reviews for The Big Sleep (1946) 1080p

"Over Here, Canino"Reviewed bybkoganbingVote: 9/10

The second of the Bogey and Bacall pairings has Humphrey Bogart playing his second pulp fiction detective for the screen. Previously he had done Sam Spade in The Maltese Falcon and now he's Philip Marlowe in The Big Sleep. He's at the top of his game in both.

Bogey's been hired by Philip Waldron to get rid of a blackmailer that's got something on one of his daughters, the amoral and disturbed Martha Vickers. The older daughter Lauren Bacall intrigues Bogey a bit more when she tries to pry into exactly what Bogart is doing for her father. Seems as though a family chauffeur has gone missing a while back and the family is concerned on a number of levels.

The plot glides into the question of the missing chauffeur and Bogart meets all kinds of interesting characters before all the mysteries are solved.

The Big Sleep proved that the teaming on screen of Bogey and Bacall was no flash in the pan success that they had in Two Have and Have Not. They are surrounded with a great cast of players. Dorothy Malone got her first notice on film as a bookstore proprietor. Elisha Cook essays one of his typical roles as a luckless fall guy. John Ridgely is properly menacing as gambler Eddie Mars.

But my favorite in this film has always been Bob Steele as the vicious killer Canino who Ridgely has on retainer. Why Bob Steele wasted his time with two bit grade C westerns when he was doing work like this is beyond me. My favorite scene in The Big Sleep has always been when Bogey blasts Steele after Bacall has diverted his attention. When you hear Bogart utter those words, "over here, Canino" he was never more chilling or menacing on the screen before or after.

Set comfortably within it's time in the Forties, The Big Sleep still packs quite a wallop for today's audience. May you never have Humphrey Bogart looking to nail you for some misdeed.

Compelling plot, black & white, with plenty of sharp dialog and interesting characters... everything a great noir film needsReviewed byTBJCSKCNRRQTreviewsVote: 10/10

This is one of the first real noir films I've seen, and I must say, it was every bit as good as I had expected. I have been interested in the genre for a while, after seeing many attempts at noir, and quite a few neo-noir film that impressed and entertained me. Still, nothing beats, or even matches, the real thing. I had also been wanting to see a film with the famous Humphrey Bogart, so when I found this film at the local library and discovered that it perfectly fit the criteria, I naturally borrowed it immediately. I was surprised by how interesting and entertaining this film was, and the incredibly sharp(not to mention equally well-delivered) dialog impressed me greatly. You just don't get that with modern Hollywood cinema. The plot is exceptionally well-written, although quite complex, which will surely discourage some potential viewers. There are a lot of characters to keep track of, something that seems to just be a problem with some of these, as well as neo-noir films(particularly L.A. Confidential). The pace is kind of slow, but not overly so... not like many other films of this period. Also, it seemed more laid-back than slow, kind of like American Pie(but, of course, there's nothing else that this film has in common with that... at all). The acting is top-notch. Bogart and Bacall are wonderful, and they compliment each other perfectly. They have great on-screen chemistry. The rest of the cast all give convincing performances... I was impressed with Martha Vickers, who was only about 20 years old at the time, and this was apparently her first role that was bigger than a smaller supporting one. The characters are well-written and interesting. I thoroughly enjoyed this movie, and I believe that just about any fan of classical cinema will, too. I recommend this film to anyone who can watch a good movie, even if it is almost 60 years old. It's especially recommended to fans of noir, Humphrey Bogart and/or Lauren Bacall. 10/10

Just classic...Reviewed byjluis1984Vote: 9/10

Considered as a classic example of the film noir style, Howard Hawks' "The Big Sleep" is famous not only for the complexity of its convoluted plot, but for the high quality of its dialogs as well as the legendary coupling of Humphrey Bogart and Lauren Bacall. Oddly enough, the movie's most famous traits were not in the film's original version, and became the result of a series of changes and additions Hawks did to the film from the day when the shooting ended until the day it was released. The original version had less romance, and a better explained plot; it was only after the success of the two stars as a couple that it was decided to add more scenes between them, and "The Big Sleep" as we know it was born. Time proved that the changes were worthy, as now that both versions are available it is easy to pick a favorite. This review of "The Big Sleep" is based on the 1946 final version, as personally I find it superior to the less convoluted original (but definitely less fun) cut.

In "The Big Sleep", private detective Philip Marlowe (Bogart) makes a visit to Gen. Sternwood (Charles Waldron), an old handicapped man who has a mission for him. Sternwood tells Marlowe that he wants him to take care of the gambling debts of her younger daughter Carmen (Martha Vickers), as she is being blackmailed by a bookseller named Geiger (an uncredited Theodore Von Eltz). Marlowe takes the job, but before leaving he is confronted by Sternwood's other daughter, Vivian (Lauren Bacall), who wants Marlowe to find out what happened to their former employee Sean Regan, who simply disappeared under mysterious circumstances. Marlow finds Geiger and follows him home, but the plot thickens when he finds Geiger dead in his home, killed by a mysterious man and with Carmen in the crime scene while high on drugs. But this death will only be the beginning.

Based on Raymond Chandler's novel of the same name, "The Big Sleep" is definitely one wild ride to a dark world filled with gangsters, femme fatals, pornographers and drug addicts; in simple words, the epitome of Film Noir stories with the character of Philip Marlow as one of the genre's biggest icon. The script (by the excellent team of William Faulkner, Leigh Brackett and Jules Furthman) follows closely the novel's story, but of course, with many interesting changes and additions, most of them being the exchanges of dialogs between Bogart and Bacall in an attempt to cash in in the couple's popularity. It is in this series of dialogs where the magic of "The Big Sleep" is, as the focus on the relationship between the couple drives the movie and makes the complex ambiguity of the plot feel more accessible and enjoyable.

As usual, Howard Hawks' direction is direct and straightforward, letting the dialogs to drive the movie but at the same keeping true to the Noir style of its hard boiled source novel. It is easy to notice that Hawks considered the characters to be more important than his story, as the film focuses entirely on their actions instead of the results of those actions. It is this style what makes the film work, as he makes sure that the many supporting characters of the film receive a moment to shine in scenes of great emotion and juicy lines of dialog. Visually, the film is a textbook of how to make a movie in the Noir style, with the excellent cinematography by Sidney Hickox being a highlight of the movie, and the subtle yet appropriate score by Max Steiner creating the proper atmosphere of decadence that runs through the film as Marlowe gets deeper and deeper inside this dark world.

Being that the screenplay makes the characters the main focus, the performances by the cast are essential for the film. Bogart's portrayal of Raymond Chandler's best-known character, Phillip Marlowe, easily ranks as one of the icons of the Film Noir genre, in a legendary performance only equaled by Lauren Bacall's Vivan Sternwood. Their chemistry on screen was explosive, and Hawks knew exactly how to use it for his benefit. "The Big Sleep" is certainly one of the best (if not THE best) film with the legendary couple. As many have pointed out, Martha Vickers is a highlight of the film, stealing every scene she is in with her delightful portrayal of the wild spoiled brat Carmen Sternwood. A remarkable group of actors make the supporting roles of the film to come alive, each one of them adding their talents to the movie with excellent results. Dorothy Malone and Elisha Cook Jr. stand out among the rest by stealing the small scenes they appear.

The overtly complex plot may be considered by many as a flaw of the movie, specially as it is hard to follow at first and it gives the feeling of constant plot holes. However, this ambiguous way of telling the story is just another device Hawks uses to keep the story character driven. It may seem at first that Hawks doesn't care too much for the plot (and on a second thought, maybe he really didn't), but in the end this overtly complex puzzle reflects what Marlowe himself is experiencing, and in many ways makes the audience to identify with the detective and his work trying to solve the mystery of who is blackmailing who. True, it is certainly difficult to follow the plot at first, but the way Faulkner and company have written the script certainly makes up for this difficulty.

Probably "The Big Sleep" may not be everybody's cup of tea, but personally I think that anyone interested in the history of cinema should give it a try. It showcases some of the best performances ever and shows Howard Hawks, that famous Jack of all trades, proving his talent and versatility in the Film Noir genre. A real classic. 9/10

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