Fantasia 2000 (1999) 1080p YIFY Movie

Fantasia 2000 (1999) 1080p

An update of the original film with new interpretations of great works of classical music.

IMDB: 7.23 Likes

  • Genre: Animation | Comedy
  • Quality: 1080p
  • Size: 1.42G
  • Resolution: 1920x1080 / 23.976 (23976/1000) FPSfps
  • Language: English
  • Run Time: 74
  • IMDB Rating: 7.2/10 
  • MPR: Normal
  • Peers/Seeds: 0 / 0

The Synopsis for Fantasia 2000 (1999) 1080p

In this update of Disney's masterpiece film mixture of animation and music, new interpretations of great works of music are presented. It begins with an abstract battle of light and darkness set to the music of Beethoveen's Fifth Symphony. Then we see the adventures of a Humpback Whale calf and his pod set to "The Pines of Rome." Next is the humourous story of several lives in 1930's New York City, scored with "Rhapsody in Blue." Following is a musical telling of the fairy tale, "The Steadfast Tin Soldier" set to Dmitri Shostakovich's Piano Concerto No. 2. Then a goofy Flamingo causes havoc in his flock with his yo-yo to the tune of the finale of "Carnival of the Animals." This is followed by the classic sequence from the original film, "The Sorcerer's Apprentice" starring Mickey Mouse and followed by "Pomp and Circumstance" starring Donald Duck as a harried assistant to Noah on his Ark. Finally, we see the awesome tale of the life, death and renewal of a forest in a sequence ...


The Director and Players for Fantasia 2000 (1999) 1080p

[Director]Gaetan Brizzi
[Director]James Algar
[Role:]Steve Martin
[Role:]James Levine
[Role:]Itzhak Perlman


The Reviews for Fantasia 2000 (1999) 1080p


A couple of brilliant pieces make this mixed bag worthwhileReviewed byCharles Herold (cherold)Vote: 6/10

I almost stopped watching Fantasia 2000. Starting with a bland take on Beethoven and followed by a mildly cute but rather dull thing about flying whales, I wasn't sure if I wanted to keep going. Fortunately I did, because the next piece, Rhapsody in Blue, combines the visual look of All Hirschfeld drawings with the animation style of Warner Bros. Loony Toons shorts in service of a truly magnificent animated short (according to wikipedia the director, Eric Goldberg, had started this separate from Fantasia 2000 but it wound up in the movie).

After that it was mixed. A thing about a love among toys was cute even though it didn't really connect with the music and would have been better with hand, instead of computer, animation. Another very short piece by Goldberg about a Flamingo with a yo-yo is wildly funny (and in animation style most typical of Disney films of that period). The Sorcerer's Apprentice is re-used in this sequel, and while it wasn't one of my favorites from the first movie it certainly is beautifully done. A Noah's Ark segment, on the other hand, has very little to recommend it.

The final piece, by Paul and Ga?tan Brizzi, is as wonderful as the Gerswhin number, a poetic, touching piece about destruction and renewal.

In between musical numbers there are little celebrity intros that are distinctly unimpressive, with the exception of a mildly entertaining bit by Penn and Teller.

It is unfortunate that there is so much filler in this movie, because the best pieces are as good as anything from the original Fantasia, but the overall quality of the movie is, alas, week. But the best pieces are so good that I'd recommend sitting through the whole thing, or, if you watch it on DVD, skipping to the good parts.

Uncle Walt would have been proud!Reviewed byPatrick BroganVote: 10/10

The last years of the 20th Century there was so much build-up and hype over sequals. LOST WORLD: JURASSIC PARK, BATMAN movies, and the biggest one, STAR WARS: EPISODE ONE. Some people loved the sequals, others didn't that is for another time. Then Disney decided to do some follow ups from their successful features. There were sequals to ALADDIN and LION KING, which went straight to video, and were properly placed there. Then when the 20th Century came to an end, Disney gave the movie audience of the planet Earth, a powerful one-two punch! The one punch was TOY STORY 2, a sequal that left most of the fans of the original with thier mouths agaped, and the kiddies wanting more! Now the second punch, and this was one to knock out any Disney fan, the long awaited follow-up to FANTASIA. FANTASIA 2000 isn't really a sequal, since there really isn't any story. Like the origianl classic, it's a film that shows the brilliance of mixing animation with music. And it always works out with artistic genius. It's no wonder that the American Film Institue chose FANTAISA as number 58 of their top 100 movies of the 20th century. Yet I think that it was too early to decide the top 100 films, since they are leaving this classic out of the list (among many others). This FANTASIA seen on a HUGE IMAX screen does leave quite a impression, and I do applaud the Disney studio for making FANTASIA 2000 a "event" picutre. It's not yet playing in the 20 screen mulitiplex in the local shopping mall or center. It's only playing on one screen IMAX theaters, where it's the only movie showing there, and it just gets the viewers even more excited about seening this picture. But let me talk about the movie itself. The first piece is Ludwig Van Beethoven's "Symphony No. 5 in C minor." Like Bach's "Toncca In D Minor" it's just abstract animation that blends in well with the music. There are no real images, just drawings that move with the music. Then there is Ottorino Respighi's "Pines of Rome" which

has a group of whales in the Artitc Ocean. At first one wonder's "what's going on here?" But by the end of the piece, it turns out to be a beautifully told story with a nice surprise. George Gershwin's "Rhapsody In Blue" tells the lives of four different people in 1930's New York City. THIS WAS ONE EXCELLENT WORK OF ART!!!!!!!!!! When the piece goes into the dreamy chords of the strings and shows the character's ice skating, I almost jumped up and shouted, "YES! YES! THAT IS THE WAY TO PROTRAY GERSHWIN'S MUSIC!!!!!!!!" Instead, I sat there with tears of joy steaming down my face. Dmitri Shostakovich's "Piano Concerto No. 2/ The One Legged Tin Soldier" was a very beautiful piece, and story. It is similar to TOY STORY, however, it's more passionate and romantic. Then there is the shortest piece, Camille Saint-Saens "Carnival of the Animals" which asks us the long time question, "what do you get when you give a flamingo a yo-yo?" Answer: a very funny and amusing piece. There were more laughs is this two minute short, than there were in all of AUSTIN POWERS 2. Next is the only piece from the original, Paul Dukas' "Sorceror's Apprentice." I always did enjoy Sorceror's Apprentice, and I always enjoy watching Mickey Mouse as I do enjoy watching Rober DeNiro. This was neat to see on the IMAX screen, yet it has aged a bit. But I personally felt that the Disney studio should have put it's best piece from the original FANTASIA along with or instead of Sorceror, and that is "Night on Bald Mountain and Ave Maria." Then there is Edward Elgar's "Pomp and Circumstance" staring Donald Duck as Noah's assistant by getting the animals into the ark. This short shows us a different picutre to the song that many of us identify as "the graduation song." Now I will not

only think of "Pomp" as the graduation song, and the song being played when the Royal government officals visit the prision in Kubrick's A CLOCKWORK ORANGE, but as the piece where Donald leds the animals into the ark. And how was this short? A CLASSIC!!! This short has the ingredients of a major Hollywood film: humor, bravery, romance, pain, honor, witty humor, and a grand climax and epic closing. I now personally see this short better than Mickey's Sorceror's. And like the original FANTASIA, this one ends with a BANG!! and it's Igor Stravinsky's "Firebird Suite of 1919." It has the tale of birth, giving life to trees, and animals, then.... BOOM! A volcano errupts and gives death and destruction, like Chenerborg in "Night On Bald Moutain." Then after the destrction, there is rebirth and redemption, like "Ave Maria." Where the films ends with light and hope for the future. That is how I felt when I was done watching FANTASIA 2000, was hope for the future of Disney. Sure Disney has made some stinker's in the past (i.e. INSPECTOR GADGET, MY FAVORITE MARTIAN, etc.) and have made some poor judgements with their theme parks (i.e. FANTASMIC, a cruise ship, etc.) But with FANTASIA 2000, it shows like at the end of the "Firebird Suite" that there is still life in the company, and that one day they will be in the top form making unique and excellent classics similar to what they were like in the 1940's and 50's. Not that they are bad now, but FANTASIA 2000 shows that Disney is starting to lead the parade of original art, instead of following it. Which is why I think that if Walt Disney were alive (he would be very darn old), but if he was around, he would have stood up and applauded after seeing FANTASIA 2000, that is why I did that after seeing this classic. I urge for you to see this on a IMAX screen when you can, you have until April 30th to do so, you'll thank me for it. ONE OF THE BEST FILMS OF ALL TIME!!!!!!!!! ***** (out of five)

An Almost Flawless MasterpieceReviewed byRobin-58Vote: 9/10

Although I was aware of the original plan to renew the Fantasia concept every so often, and that it was visualised as an ongoing project, I felt that going back after 60 years was too much, and that the original classic should be left alone. However, my initial scepticism was dispelled within seconds of the opening sequence. What we have here is a lush, vibrant fusion of animation and music, each fully complimenting the other to perfection. It's hard to pick a favorite sequence, but if really pressed, for personal taste alone, it would be the awesome sequence with the whales. Mickey's Sorcerer's Apprentice sequence is the only carry over from the original, and a worthy match for it in the 2000 lineup is the Donald "Noah".

The only criticism I have of the film is the bridging sequences, featuring Steve Martin, Penn & Teller, Bette Midler and others. I would have preferred that they stuck to one presenter, preferably James Earl Jones or Angela Landsbury. They seemed to take the material and the project far more seriously than Martin and Penn & Teller who's humor detracted from the dignity of the movie as a whole.

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